Now you know, you know me, the father who loves, you know only that I love, free and possess.

Now you know, you know me, the father who loves, you know only that I love, free and possess.

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Above all love
A hidden inheritance

of Francesco Arista and Antonella Molica

Argument

→ Now you know, you know me, the father who loves, you know only that I love, free and possess.

→ My children have not been created for this world, they have been created for something big, huge, wonderful, and for love towards me and then toward them.

→ Leave the visible for my kingdom.

→ Do you want to always have light?

→ The world has nothing and it is nothing, it is illusion, it will fall, it will disappear, it is a wreck.

→ Let the illusion go by itself.

→ Man is destined to love God and is able to do so in spite of any difficulty level.

→ At most play with the world, without binding you to what passes.

→ Love can use anything to put itself in the foreground, in its place.

→ This path leads man to his real fullness, to minimize the world and any harmful conditioning.
→ Know that I exist with all fullness of good, I am here present, I love you and I belong to you as you belong to me.
→ For the good of all, announce me, tell them the fullness of my love, not to fear me, to see and contrast the illusion of the world.
→ In the inevitable and unpleasant experience of uncertainty, of temporariness, of contradiction, you can conceive a state of greater fullness as a lack or necessity.

→ Do not trust the world and the illusions of the world.
→ Do not trust the inconstancy of the world.
→ Do not fear the difficulties of the world, live them with confidence and prudence.
→ A hard game tests your trust and your love for me.
→ The world is trying to crush you, don't believe it, trust my love.
→ If the experience of the world affects your trust in God, you do not yet know God.

→ Knowledge and love restore to you the truth that the world seeks in vain to obscure.

→ To be able to see the world for what it is, it is necessary to know eternity and to look at temporariness from a position that transcends it.

→ The voice of the world denies me completely or simulates being me.

→ The idea that man is eternal and divine is absolutely true, but conceivable only with a deep spiritual path.

→ The world hurts very much those who are slaves to it.

→ Mind me, take care of me more than the events of the world.

→ A part of this process, the detection of one's contrast with the world, is aided by pain.

Relative arguments